“Because there's beauty in the breakdown.” /ˈɪmədʒɨn ˈhiːp/
Words I came to understand better as years went by, and a woman I came to associate with innovation; innovation born out of sheer enthusiasm of her experimentation. This is a tale of one creative spirit looking to push the world forward with gloves.
Yes, gloves.
Bearing similarities to the Power Glove of the most notorious video game controller, the Nintendo, and of course the K-glove developed by General Motors and NASA to help auto workers and astronauts, Imogen Heap's Mi.Mu glove literally sculpts sound out of thin air. Mi.Mu works by capturing hand gestures and movement with analog bend sensors. That information is then sent wirelessly via the x-OSC board [a wireless input-output board] on its wrist bands to a computer. This data is mapped to musical control signals and combine different gestures and movements to make more complex controls which can then be routed to a music software.
The first pair of Mi.Mu gloves were custom-made for Heap who actually funded its creation before their Kickstarter campaign. She has demonstrated the gloves at a number of conferences over the last few years, including TED University (2011), Music Matters in Mumbai (2011), Wired UK (2012), TED Global (2012) and the UK Arts and Humanities Research Council (AHRC).
Top left to bottom right:
Imogen Heap, Rachel Freire, Adrian Lausch, Seb Madgwick, Thomas Mitchell, Hannah Perner-Wilson, Kelly Snook & Adam Stark
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It wasn't until I googled for the artist behind the rather tempting cover of Bonnie Tyler's classic "Holding Out for a Hero", which was featured during the credits of the movie Shrek 2, that I discovered British singer-songwriter Imogen Heap.
With some potent songwriting, her elegant ambient voice and a dash of tech-savviness, Heap became one of the most compelling artists of our time. The electro sounds and lyrics are so captivating and cleverly thought out it’s almost impossible not to be seduced by her work. Here's her fun video to one her her best known songs “Goodnight and go” out in 2005. I admit the lyrics are creepy in a stalker-ish kind of way. But with the bouncy, innocent way she presents it, you could (almost) excuse it as a post-adolescent infatuation.
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